Voyeurismes obsessionnels.

Voyeurismes obsessionnels.

There is no history of film, there is only history of art (an Eisenstein idea of which I’m particularly fond of)

"I always think that cinema was not invented by Lumiere or Melies but was invented in the early 17th Century by four painters: Velazquez, Caravaggio, Rubens and Rembrandt (…)", Peter Greenaway (16.02.2014)

http://www.bbc.co.uk/news/entertainment-arts-26222202

Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene Martha Marcy May Marlene 

A última vez que vi Macau (2012), João Pedro Rodrigues e João Rui da Guerra Mata

A última vez que vi Macau (2012), João Pedro Rodrigues e João Rui da Guerra Mata

Je sais qu’il l’a dit, mais je dois l’avouer aussi: Bovary c’est moi.

O culto de uma imagem.

O culto de uma imagem.

J’ACCUSE

Ivan the terrible (1944) - Part II, Sergei Eisenstein


Ivan the terrible (1944) - Part II, Sergei Eisenstein

Laurence Anyways (2012), Xavier Dolan

Laurence Anyways (2012), Xavier Dolan

asimplehistory:

Nan Goldin: The Ballad of Sexual Dependency

First published in 1986, Nan Goldin’s The Ballad of Sexual Dependency is a visual diary chronicling the struggles for intimacy and understanding among the friends and lovers whom Goldin describes as her “tribe.” These photographs described a lifestyle that was visceral, charged and seething with a raw appetite for living, and the book soon became the swan song for an era that reached its peak in the early 1980s.